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- Abstracting Nature – Mrinalini Mukherjee and Jayashree Chakravarty
Exhibitions
A mirroring of approaches is seen in the show Abstracting Nature as the artists Mrinalini Mukherjee and Jayashree Chakravarty amalgamate myriad objects found in nature into their own oeuvre. Seeking solace in the serenity of nature also deeply resonates with the artists’ philosophy. A corpus of drawings, etchings and watercolour produced by Mrinalini Mukherjee showcases the artist’s long standing connection with nature including her self-absorption in the flora and fauna in her immediate environment. A careful look at these works reiterates Mrinalini’s perception of nature- where cords, knots, tangles and twists become apparent as her unswerving preoccupation. In addition to these work, Mrinalini’s bronze piece and her hemp sculptures crafted by knotting jute ropes/ fibres into sculptural material through enormous muscle power, energy and time are displayed.
Over the last three decades or more, Jayashree Chakravarty’s art practice has addressed the exigent situation of shrinking natural habitat and water bodies in ever-expanding Indian cities. Jayashree through her works reminds us that the earth is continuously being pushed towards a precarious edge, where the threat of daily damage has taken on precipitous dimensions. Through poetic evocations, she weaves into her personal vision, the need for environmental balance and resurrection. Nature continues to be the subject as well as the substance of Jayashree’s art. Her works draw sustenance from the organic materials she puts to use, collecting dry leaves and dry flowers, twigs and delicate branches, roots and medicinal seeds, and now, crushed eggshells as well, weaving and mending, as if the ruptured fabric of life.
Other Exhibitions
visions of interiority: interrogating the male body - A RETROSPECTIVE (1963-2013)
14 October 2014 - 1 March 2015
You can’t Keep Acid in a Paper Bag - A RETROSPECTIVE (1969 - 2014) in three chapters
26 September 2014 - 21 December 2014
A view to infinity - A Retrospective (1937-1990) Part of Difficult Loves
31 January 2013 - 8 December 2013
the dark loam: between memory and membrane - A RETROSPECTIVE (1930-2016)
24 August 2016 - 20 December 2016
The euphoria of being Himmat Shah A continuing journey across six decades
30 October 2017 - 15 December 2017
VIVAN SUNDARAM, A RETROSPECTIVE: FIFTY YEARS STEP INSIDE AND YOU ARE NO LONGER A STRANGER
9 February 2018 - 20 July 2018
Envisioning Asia, Gandhi and Mao in the photographs of Walter Bosshard
1 October 2018 - 31 October 2018
Kiran Nadar Museum of Art presents इस घट अंतर बाग-बगीचे | Haku Shah 1934-2019 Within this earthen vessel are bowers and groves
10 December 2019 - 8 January 2020
Right to laziness... no, strike that! Sidewalking with the man saying sorry
30 January 2020 - 10 April 2021
Line, beats and shadows – Ayesha Sultana, Prabhavathi Meppayil, Lala Rukh and Sumakshi Singh
30 January 2020 - 10 April 2021
Delhi Modern: The Architecture of Independent India seen through the eyes of Madan Mahatta
13 February 2020 - 28 February 2020
Around The Table : Conversations about Milestones, Memories, Mappings
5 November 2022 - 22 December 2022
Prussian Blue: A Serendipitous Colour that Altered the Trajectory of Art
19 September 2023 - 20 December 2023