TEENS/ADULTS

Conte on Paper

If you want to learn how to use Conte Crayons but don't know where to start, this workshop is for you. Learn the exciting tips and tricks of the technique directly from the artist.

Conté, also known as Conté sticks or Conté crayons, is a drawing medium made of compressed powdered graphite or charcoal mixed with a square-sectioned clay base. Nicolas-Jacques invented them in 1795. Conté is typically found in black, white, cheerful tones, bistre, grey shades, and other colours. Color sets are useful for both field studies and colour studies. Some artists use them to create entire paintings, treating them more like pastels than a drawing medium.

They're commonly used on rough paper because it holds pigment grains well. They are used for underdrawings for paintings on prepared, primed canvases. Conté pastels are hard and have square edges, making them ideal for detailed hatched work rather than the bolder painterly drawing style required by soft pastels.

Date: 19th Nov 2022

Time: 11am-1pm

Venue: KNMA Noida

Age Group: 16+

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About Artist

Varnita Sethi is an India-based artist known for her versatility. She has worked with various materials such as painting, sculpture, assemblage, digital collage, pyrography and handmade collages. Also, she has been honing skills in these mediums for over a decade. During her initial years, she used to teach in school to support her art practice, but after 2012  she solely focused on art. Her works are in private collections, galleries and the National Gallery of the modern art museum India. In 2018 she was part of a residency with Bosco (a Teaching Residency Programme in collaboration with Artreach India and Kiran Nadar Museum). During this residency, she got the opportunity to teach art and interact with the children of refugee families.

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Collagraph

The word collagraphy is derived from the Greek words koll or kolla, which means glue, and graph, which means drawing. Collagraphy is a versatile printing process in which collage materials are glued to the board. It is then inked up and put through a press. Different textures hold varying amounts of ink and print different tones. Anything with a low-relief texture can be stuck down and used: wallpaper, leaves, fabrics, tapes and threads etc This technique will help explore different mediums and learn how they behave when ink is applied.

Date: 12th and 13th November

Time: 11am-1pm

Venue: KNMA Saket

Registrations are closed for this workshop

About Artist

Jyothidas K V (born in 1987 in Kerala) is a visual artist and researcher based in Delhi whose practice varies from drawing-based installations, prints, text, and photographs to performances and gatherings. His works deal with mutations of bodies under neoliberalism and the transmogrification of the edges of cities, and his performances try to locate acts of belonging and displacement. He researches the history of modernist printmaking in India for his academic work. He is a founding member of Mo’Halla, an art+culture+politics pop-up platform focused on South Asia, based in Berlin and New Delhi.

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Charcoal Drawing

Charcoal is a burnt organic material. It is used as a dry medium by many artists. This dry medium can be applied to almost any surface, from smooth to very coarse. There are various types of charcoal, out of which two are compressed and vine charcoal. Vine charcoal gives a light mark which can smudge easily compared to compressed charcoal, which is darker and harder to spread. It also comes in various forms and levels of hardness, including soft charcoals, hard charcoal, and powdered charcoal.

Learning and mastering the art of sketching charcoal is the best medium to explore, where one can open their creative blocks and enhance their artistic abilities. In this workshop, you will learn how to draw with charcoal with hands-on tools like blending brushes and stumps, kneaded erasers, paper towels and fixatives. With the help of some additional tips and tricks on the technique, one can explore new approaches to working with imaginative charcoal drawing ideas.

Date: 29th October 2022

Time: 11am-1pm

Venue: KNMA Saket

Age Group: 16+ years

Registrations are closed for this workshop

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Art of Portrait Making

Kiran Nadar Museum of Art, in collaboration with Studio Tvastra, presents an Art of Portrait Making workshop. Portrait painting is a painting genre that depicts a specific human subject. A good portrait is more than just a visual representation of a person; it also reveals something about that person's essence.

 

Registrations are closed for this workshop

Portraits can be created in any style of art. Abstract art, photography, photorealism, charcoal, pastel drawings, and coloured pencils are some of the mediums used. The step-by-step process with all of the skills and techniques will aid in the creation of the most expressive portrait. We'll start by showing you how to draw it from the first line drawing to the finished product. The artist will meticulously craft visual clues to tell the story of the person depicted in the artwork.

A workshop designed specifically for art enthusiasts interested in learning how to use various mediums such as watercolour and charcoal. This workshop will also assist you in improving your sketching abilities. You will walk away from this workshop with a fantastic portrait for your portfolio that you can be proud of and that will catch people's attention.

About Artist

Sumit Nahar is a visual artist and art educator. His primary medium of expression is watercolours, and he has done thousands of live watercolour paintings till now at various spots all over India. He completed his bachelor's in Fine Arts from the College of Art, New Delhi, in 2013.

Date: 15 - 16 Oct 22

Venue: KNMA Saket

Age Group: 13+ years

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Press Play Printmaking

Learn the most experimental printmaking technique in our upcoming Press Play workshop. One of the advantages of printmaking is having the ability to create multiple impressions of the same artwork. The medium’s ability to reproduce images and create unique visual qualities has influenced everyone. Artists, in particular, have driven the medium forward by experimenting with its various processes, in which ink is moved from one surface to another. Below, we outline the most widely used printmaking techniques and how they work.

This workshop will run within the context of the ongoing exhibition of works by Anupam Sud titled Between Vows and Words open until end of October 2022. As a series of workshops that runs parallel to the exhibition, PRESS PLAY will involve slightly more technically intricate methods of printmaking that require an etching press. The series will impart knowledge of and make participants appreciate the umbrella field of Intaglio prints, which covers techniques like Etching, Drypoint, Collagraph, Monotype etc.

 

Registrations are closed for this workshop

Etching

In this printmaking technique, incised lines are produced on a metal plate, which then holds the applied ink and forms the image. The plate can be made of iron, copper, or zinc. This technique allows you to achieve a range of shallow and deep grooves; where an incision is shallow, the ink will be fainter, and where the incision is deeper, the ink will be more prominent. The workshop will take the participants through the processes of etching the plates and printing.

Age group: Age 15+

Date: 10 - 11 Sep 22

Venue: KNMA Saket

 

Drypoint

Drypoint is usually done on copper plates as the softer metal lends itself to this technique. It requires a sharp tool and a pointed needle-like instrument to form a design over it. This workshop is meant to introduce people to the most rapid of the intaglio processes, the technique of dry point. The participants will draw/scratch lines on acrylic or metal plates to make their designs and subsequently print them using an etching press.

Age group: Age 13+

Date: 17 - 18 Sep 22

Venue: KNMA Saket

 

Monotype

One of the most painterly printmaking techniques, monotypes mean the transfer of rolled on, scratched or brushed a layer of pigments or printing inks off a smooth plate onto a paper. The process lets the participants create a rapid design or texture on a smooth plate and get a unique, ‘mono’ impression on paper. But unlike the rest of the printmaking techniques on this list, monotypes only produce one impression.

Age group: Age 13+

Date: 24 Sep 22

Venue: KNMA Noida

Noida:– 11am to 1 pm

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Hand Building

Discover with us the art of hand-building, an ancient pottery making technique that involves creating forms without the use of a pottery wheel using the hands, fingers, and basic tools. Experience the transformation of clay from its soft and mouldable form into your intended form by learning its three techniques: pinch, coil and slab construction.

The registrations for this workshops are now closed.

Slab Construction

Learn the wonderful art of slab construction, a technique that was extensively used by various ancient civilizations, begins with smooth slabs of clay that are formed around moulds and are then layered. This technique is used to create more angular shapes that can't be created on a wheel.

Date:

10th September, Knma Saket

11th September, Knma Noida

Coiling

Explore the versatile and intricate technique of coil building; a forming method that uses rope-like coils of clay, assembled in successive courses to build up wall of vessel or sculpture and build forms of any design or scale.

Date:

17th September, Knma Saket

18th September, Knma Noida

Pinching

Get a hands-on experience of one of the earliest techniques for shaping the clay, the pinching method, extensively used in cultures all over the world to create exquisite ceramics that can be both ornamental and functional. Master the technique that involves using a lob of clay and pinching it into the desired shape.

Date:

24th September, Knma Saket

25th September, Knma Noida

Venue – Noida and Saket Museum

Age Group – 16+

Time – 11 am – 1 pm

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MAKING PRINTS NOIDA

Printmaking is a technique of art making carried on by transferring image from a prepared screen to a sheet of paper or other material. This process enables the production of multiples of the same image.


Making Prints is a program which includes two forms of traditional and experimental print making i.e. CYANOTYPE and WOODCUT PRINTMAKING. The workshop includes a comprehensive understanding of the technique and procedure involved in printmaking practice.

2nd July to 10th July

Venue – KNMA, Noida

Time – 11 am – 1 pm

Age Group – 13+

Fees – Rs. 250 per Print Technique

Cyanotype Printmaking

Cyanotype, also known as a photographic printing technique, is a unique and simple manual process used to create print patterns that has been used for nearly 200 years by artists, botanists, and architects. It reveals original prints with good definition and an intense, unique shade of blue by using a photosensitive solution that dyes surfaces blue when in direct contact with light. During the two-day workshop, you will learn all of the steps necessary to create your cyanotype prints with ease, from solution preparation to image creation.

Materials

Photosensitive Chemicals, Hydrogen Peroxide, Paper for exposure, Acid free sheets for final prints, OHP sheets for hand-made negatives, required tools, including measurement tools, brushes, Markers and inks, Glass and board for contact sheets, Disposable gloves.

Dates – 23rd and 24th July

Woodcut Printmaking

Woodcut is among the oldest relief printmaking techniques. This workshop will introduce you to the tools and methods needed to allow you to carve and print from your own relief woodblocks. You will explore carving techniques to obtain a range of texture, depth, and contrast to create your artwork. Studying from the ongoing exhibition of works by Somnath Hore, you can see different possibilities of this medium at the workshop.

Materials

Blocks to carve (MDF board), relief carving tools, Reference sheet, Pencils/erasers, Transfer Paper, Brayer (ink roller), Ink knife/spatula, Water-based printing ink- Black, Paper - newsprint, archival paper for final printing.

Dates – 30th and 31st July

Disclaimer: Please note that all the workshop sessions will be recorded, and can be used on social media by KNMA

MAKING PRINTS SAKET

2nd July to 10th July

... Read More

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Master the Art of Calligraphy!

Kiran Nadar Museum of Art (KNMA) and Inku Kumar, Founder, Calliart (an Institute of Handwriting and Calligraphy) presents experimental and traditional approaches to the art of Calligraphy. The workshop, led by Inku kumar herself, will focus on teaching Devanagari and Brush Calligraphy. Participants will learn how to hold a Devanagari pen, the basic strokes, letter formation as a pre-family, word formation, sentence formation, and how to create small Akshara designs and compositions. Students, guided by Kumar, will transform an elementary life lesson into a grand artistic journey during this workshop.

Dates – 6th and 7th August : Devanagari Calligraphy

Dates – 20th and 21st August : Brush Calligraphy

Time – 11am to 1 pm

Venue – KNMA, Saket

Age – 16+

Calligraphy is an ancient decorative handwriting and lettering art form that is more than just an expression of beauty and aesthetics. Slow and deep writing is a meditative process that allows us to express and reconnect with ourselves.

The Devanagari script evolved from the Brahmi script. Scholars have speculated that the word Devanagari is a combination of two Sanskrit words, 'Deva' (God, king, or Brahmans) and 'Nagari' (City). It literally translates to 'City of Gods' and 'Script of Gods.' The Devanagari script is a popular and widely used script in India, primarily for writing Hindi, Marathi, Nepali, and Sanskrit. Other languages, such as Punjabi, Sindhi, and Kashmiri, use it as an auxiliary script. Devanagari Calligraphy can be used to inscribe religious texts, write personal letters, and create works of art.

Brush Calligraphy is a type of calligraphy performed with a brush pen or a traditional brush. Each letter is written with heavy pressure on the downward stroke and light pressure on the upward stroke. It is commonly referred to as modern calligraphy due to the use of pressure and the appearance of the letters.

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The Art of Mindfulness

KNMA brings you mindful art workshop for adults to help with stress and frustrations. With people continuously accessing virtual sessions, device addiction is an all too real issue. These lessons are centered on the Waldorf theory which is largely sensory and mindful of emotional and physical needs. It plays on the idea that art must allow for appreciating the process as well as the finished product. The activities themselves are sensory oriented such as painting and clay work, to help center the mind and body and allow for creative expression. Tune in to this series of workshops kicking off on 09 April till 30 April, 2020, and give yourself a chance to relax and reset.

 

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A workshop series by Vanashree Ghate

09 April – 30 April

This Series Includes:

09th April

Session 1 | Introduction to Mindfulness & Attention with Arts – Building body & emotional literacy through attention training. Experiencing mindfulness with short, simple techniques. We work with watercolour painting as key to expression and introspective reflection.

16th April

Session 2 | Developing Resilience and Balance – We learn to put our attention training to use as we work with emotions to be- friend them. This session we focus on regulating emotional skills toward self-care as we go deeper into the world of sensations with clay-work.

23rd April

Session 3 | Community & Interdependence – We are stronger when we feel the support of our community – family, friends and as we allow to enlarge our circle, the outer world! We work with oil-pastels to cultivate our intuitive understanding of interdependence.

30th April

Session 4 | Giving Rise to Compassion & Joy – As we learn to be mindful, we take the first step toward self-compassion. Compassion for ourselves and for those in family, community is the key toward happiness & joy. We explore this deeper with a story reflection and art – using multimedia


Required Material :


About the Facilitator:

Vanashree Ghate is Waldorf trained, an Arts based Therapy (ABT) Practitioner and ABT Educator and runs Anantaraa ABT Course aimed for healthcare professionals. She has been a Vipassana Meditator since 2004, is a PG Diploma holder in Nalanda Philosophy Studies from Tibet House & trained in Socio-Emotional-Ethical (SEE) Learning & Cognitively Based Compassion Training (CBCT) developed by Emory University, USA. She has also trained in ‘Positive Neuroplasty” by Rick Hanson and “Mindful Self-Compassion Core Skills” with Kirsten Neff & Chris Gerner. She brings her personal experience and insights from mindfulness, meditation and artistic practice into her workshops.

*This online workshop conducted over a period of four days is participatory, discussion-based and performative in nature.     

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Terra Joys

One of the oldest human inventions, pottery has been around since before the Neolithic period, with objects dating as far back as 29,000 BC. It is the process of using clay to create vessels and other objects, which are then fired at high temperatures to harden them and make them durable for use. Major types of pottery include earthenware, stoneware and porcelain.

Terra Joys is an indigenous workshop series that will introduce the basics of pottery. The ancient clay craft of Ramgarh, Rajasthan will also be discussed. You will learn about the process from scratch, along with some essential technical details.

A Unique Pottery Workshop Series

12 January – 2 February

The workshop aims to give the participants a sense of the historic and current magnitude and impact of the craft. It will offer the unique experience of recreating the time and effort a craftsman puts into making a unique piece of art.

The workshop is led by Om Prakash Galav who is an expert potter with more than twenty-two years of experience. His expertise and passion for pottery has been passed down through many generations of his family. He has received many National and International Awards including two Limca Book Records and four Unique World Records. Promoting India’s handicrafts sector and showcasing this often overlooked skill while highlighting India’s contribution to this cottage industry has been an important part of his journey.  Join this series of workshops to expand your knowledge and hone a new skill.

Session 1 | Introduction and Process of Craft

In the very first workshop of our Terra Joys series, start your journey by understanding the art of Ramgarh Clay Pottery craftsman Mr. Om Prakash Galav, takes us through the history, tradition, and significance of the craft! Learn how to source clay and prepare it by wedging, which is when the clay is kneaded with a slight rotation that helps push out any air bubbles within the clay. Also gain an understanding of centering clay on the wheel.

 

 

Session 2 | Making Pottery on Wheel

In the second workshop of the Terra Joys series, we will understand the importance and the history of the wheel. Learn the techniques of using clay and how the clay is centred on the wheel as it turns. Observe the potter as he uses his fingers and thumb in opening the clay and give a beautiful texture and shape of the pottery.

 

 

Session 3 | Turning and Burnishing of the Pot

In this workshop of Terra Joys series, we will see how newly shaped articles are turned and burnished by rubbing the clay with a polished stone or other smooth object. This process is followed by the potters to make their pottery more watertight and smooth with glossy shine.

 

 

Session 4 | Hand Building Artwork and Firing

In the very last workshop of Terra Joys series , we will learn the simple techniques of clay works, using hands ,fingers and simple tools. As well as firing the clay artworks to make them more durable, as Mr. Om Prakash Galav explains the process in detail.

 

 

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CONTACT US

New Delhi

KIRAN NADAR MUSEUM OF ART
145, DLF South Court Mall, Saket
New Delhi, Delhi 110017
011-4916 0000

10:30 A.M - 6:30 P.M

Plan Your Visit

Noida

KIRAN NADAR MUSEUM OF ART
Plot No. 3 A, Sector 126,
NOIDA, U.P.
0120-4683289

10:30 A.M - 6:30 P.M

The museum is closed on Monday and all public holidays.